Saturday, 4 January 2014

Module 3, chapter 8: bead sampler

This was the most time consuming sample to date- it took considerably longer to create than I predicted, something to take into consideration when using beads in the future. I also found it challenging to work with the tiny beads. I ended up buying some specialist beading needles. These however came with their own challenges as they were impossible to thread without a needle threading tool, but these kept breaking on me to the point I only used a fraction of the small seed and bugle beads I had intended on putting on there!

I did not have a plan when starting this sample, other than to try and create a spiral on top of a tie-dyed piece of fabric as I went along. Interestingly the end result resembles a shell design. I aimed to have contrasts at each point, either through size or colour or texture/appearance. I also tried different patterns and spacings along the way. If I had more time (and to be honest more patience!) I would have experimented more with different combinations, such as having a sequin sewn under a seed bead. I would have also tried edging effects as suggested in the chapter notes.

Note that I tried stitching on other components too, such as buttons, sequin waste, painted screws and mini 'gems'.


3/8/1: Bead sampler
3/8/1: Bead sampler
3/8/2: Bead sampler- close up of centre
3/8/2: Bead sampler- close up of centre


3/8/3: Bead sampler- close up
3/8/3: Bead sampler- close up


3/8/4: Bead sampler- close up
3/8/4: Bead sampler- close up


3/8/5: Bead sampler- close up
3/8/5: Bead sampler- close up


3/8/6: Bead sampler- close up
3/8/6: Bead sampler- close up


3/8/7: Bead sampler- close up
3/8/7: Bead sampler- close up


3/8/8: Bead sampler- close up.
3/8/8: Bead sampler- close up.
The main beads used here are glow in the dark! I have been unable to get a decent photo of them glowing however. I deliberately sewed them on in a way that there are two spirals formed, one with beads on their side, the other with the beads on their back.

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